Transference - from Kandinsky to Architecture to Digital Suprematism

Transference - from Kandinsky to Architecture to Digital SuprematismKandinskys work of lines, shapes and colours was chosen as the premise for exploration and translation of art into an architecture language to be used and demonstrated in a dwelling project for a musician. Kandinskys very special form of abstraction derived from his understanding of music, free of things of nature and the past, but of things of the abstract which were forms of virtual creation derived from his subjective universe. As paintings should

KandinskyÕs work of lines, shapes and colours was chosen as the premise for exploration and translation of art into an architecture language to be used and demonstrated in a dwelling project for a musician. KandinskyÕs very special form of abstraction derived from his understanding of music, free of things of nature and the past, but of things of the abstract which were forms of virtual creation derived from his subjective universe. As paintings should never be a copy of other things, not nature, not human, not everyday things, but of itself.
Using the three-dimensional model of the house, a virtual camera explores different angles with varying focal length, perspective and axonometric were generated with different shading of the model, such as wire frame, X-ray and hidden lines. At times the model is also sectioned to allow one to explore the inside of the model. Sectional planes could be vertical, horizontal or slanting. The lines also take on different forms, thin continuous or dash lines.