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King Cannibal: Virgo - 12-INCH SINGLETitle: Virgo Artist: King Cannibal Label: Ninja Tune Product Type: 12 INCH SINGLE UPC: 5021392543161 Genre: Electronic Release Date: 2009 04 21 Number of Discs: 1 Dylan Richards aka King Cannibal returns with his latest smash to the solar plexus, "Virgo." to flesh out his twisted, industrial take on dancehall, dubstep and drum & bass, vox are provided by brand new French crew Face A Face. This is the vocalists first release and they sound magnifique
Title: VirgoArtist: King Cannibal
Label: Ninja Tune
Product Type: 12-INCH SINGLE
UPC: 5021392543161
Genre: Electronic
Release Date: 2009-04-21
Number of Discs: 1
Dylan Richards aka King Cannibal returns with his latest smash to the solar plexus, "Virgo." to flesh out his twisted, industrial take on dancehall, dubstep and drum & bass, vox are provided by brand new French crew Face-A-Face. This is the vocalists first release and they sound magnifique over a rhythm built firmly for the dancefloor and set to do considerable and lasting damage in any such context. All amplified thumb piano, fidgeting rhythms and filtered nastiness, Richards chops the vox to pieces and puts them back together, all to make you lose the plot. "Murder Us" came about after a meeting with Sasha Perera of German group Jahcoozi in Berlin late last year. It turned out that although the pair had never met, they used to live about a mile away from each other in South London. Musically the track was also born from the same trip after hearing techno in it's correct environment, "clubs like the Berghain," Richards says. "Open for days on end, people dancing for 48 hours, driven by nothing except sounds that bounce around in a dark room. I heard it, drank it in and wanted to put my spin on what I heard that long weekend." As for the lyrics, Sasha uses the idea of battery chickens in a box as a metaphor for the inner city life both knew from South of the river. While she says it's "a nihilist message," the King manages to make it uplifting in his own Lynchian, brutal way, just by the way the tune gradually unfolds itself. Not for nothing has Radio 1s Mary-Anne Hobbs has already declared Richards music "too dark!" When Eddie Temple-Morris head his debut single "Aragami Style" he loved it so much he added an extra hour to his XFm show and called it "Remix Darkside" in his honour. Championed by early adopters like the Bug, Bong Ra, Strictly Kev, Kid 606, Knifehand Chop and Ebola, King Cannibal is all set to be the next big nasty thing. Be afraid.
Tracks:
1.1 Virgo
1.2 Virgo
1.3 Murder Us
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4.2 ★★★★★
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★★★★★ 5
Buy. Read. ReRead. Yesterday.
Format: Hardcover
Must buy. Must read. 10/10
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Reviewed in the United States on March 10, 2026
★★★★★ 5
Electrifying
Format: Kindle
Talia Bhatt’s Trans/Rad/Fem is a powerful and thought-provoking collection of essays that delves deep into the intersection of radical feminism and trans liberation. This book challenges the idea that trans and radical feminism are at odds, instead arguing that transfeminism is a natural extension of radical feminist thought. Bhatt’s sharp, compelling writing makes the case that a materialist, radical transfeminism is key to dismantling the oppressive structures of patriarchy.
What makes Trans/Rad/Fem such a captivating read is the way Bhatt blends academic analysis with personal narrative. Her essays are intellectually rigorous, yet accessible and relatable, striking a perfect balance between theory and lived experience. The electrifying prose has the profound impact of books like Stone Butch Blues.
There’s something incredibly powerful in the way Bhatt’s words cut through, offering fresh perspectives on issues that often feel tangled or misunderstood. The essays feel like a conversation with someone who’s been thinking deeply about these subjects for a long time, offering not just insight but a vision for a different, more inclusive future. Some readers have noted that familiarity with radical feminist theory will enhance the experience, but even for newcomers, the book offers eye-opening and challenging ideas.
Trans/Rad/Fem has clearly made a mark. Bhatt’s ability to engage readers while encouraging critical thought is part of what makes this collection so important. Whether you’re a seasoned feminist theorist or someone looking to understand more about the intersections of gender and social justice, this book is an essential read.
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Reviewed in the United States on February 13, 2025
★★★★★ 5
this is the book you’re looking for
Format: Paperback
I’d just finished reading Jules Gil-Peterson’s A Short History and felt a little unsatisfied and uncomfortable with all the orientialism. I picked this up and was immediately sure I had the antidote.
Bhatt is clear, direct, and uncompromising. She avoids filler and gets right to the heart of things—“how is this not like blackface?” gets dealt with more thoroughly and decisively than I have ever seen it within the first few pages. She reveals the transmisogyny lurking in even nominally queer social and intellectual movements, and also finds pockets of beautiful solidarity and common ground in some surprising places. Above all, her love for women shines through every word.
This book cleared up some misconceptions I had, made me cry, and will make me a better partner and comrade to trans women. Buy it.
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Reviewed in the United States on August 4, 2025
★★★★★ 5
Excellent essays in a brilliant book
Format: Paperback
This is a really excellent book. A lot of anthologies of essays have great essays in them, as this one does, but not all of them work as well as a cohesive text as Trans/ Rad/Fem does. I'd recommend this for anyone interested in transfeminism, even if you'd already read individual essays from Bhatt's newsletter by the same name. As with the essays in their newsletter format, The Third Sex and The Questions Has an Answer were my favorite. Bhatt's writing has such force and clarity that I look forward to reading whatever she chooses to write about next.
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Reviewed in the United States on February 25, 2025
★★★★★ 5
Absolutely brilliant
Format: Kindle
An absolute tour de force reckoning with decades of feminist scholarship and theorizing about trans feminine bodies and motivations. Succinctly and pithily describes the hegemonic culture’s understanding of transsexual women and demands an accounting from the hegemony’s enablers on their treatment of all marginalized queer and especially trans people.
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Reviewed in the United States on February 14, 2025
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