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The Jazz Cadence of American CultureTaking to heart Ralph Ellison's remark that much in American life is "jazz shaped," The Jazz Cadence of American Culture offers a wide range of eloquent statements about the influence of this art form. Robert G. O'Meally has gathered a comprehensive collection of important essays, speeches, and interviews on the impact of jazz on other arts, on politics, and on the rhythm of everyday life. Focusing mainly on American artistic expression from 1920 to
Taking to heart Ralph Ellison's remark that much in American life is "jazz-shaped," The Jazz Cadence of American Culture offers a wide range of eloquent statements about the influence of this art form. Robert G. O'Meally has gathered a comprehensive collection of important essays, speeches, and interviews on the impact of jazz on other arts, on politics, and on the rhythm of everyday life. Focusing mainly on American artistic expression from 1920 to 1970, O'Meally confronts a long era of political and artistic turbulence and change in which American art forms influenced one another in unexpected ways. Organized thematically, these provocative pieces include an essay considering poet and novelist James Weldon Johnson as a cultural critic, an interview with Wynton Marsalis, a speech on the heroic image in jazz, and a newspaper review of a recent melding of jazz music and dance, Bring in 'Da Noise, Bring in 'Da Funk. From Stanley Crouch to August Wilson to Jacqui Malone, the plurality of voices gathered here reflects the variety of expression within jazz. The book's opening section sketches the overall place of jazz in America. Alan P. Merriam and Fradley H. Garner unpack the word jazz and its register, Albert Murray considers improvisation in music and life, Amiri Baraka argues that white critics misunderstand jazz, and Stanley Crouch cogently dissects the intersections of jazz and mainstream American democratic institutions. After this, the book takes an interdisciplinary approach, exploring jazz and the visual arts, dance, sports, history, memory, and literature. Ann Douglas writes on jazz's influence on the design and construction of skyscrapers in the 1920s and '30s, Zora Neale Hurston considers the significance of African-American dance, Michael Eric Dyson looks at the jazz of Michael Jordan's basketball game, and Hazel Carby takes on the sexual politics of Ma Rainey and Bessie Smith's blues. The Jazz Cadence offers a wealth of insight and information for scholars, students, jazz aficionados, and any reader wishing to know more about this music form that has put its stamp on American culture more profoundly than any other in the twentieth century.Binding Type: Paperback
Publisher: Columbia University Press
Published: 12/08/1998
ISBN: 9780231104494
Pages: 576
Weight: 2.50lbs
Size: 10.00h x 6.90w x 1.40d
Review Citations: Publishers Weekly 10/19/1998 pg. 69
Black Issues Book Review 01/01/2000 pg. 24
Library Journal 11/01/1998
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Great for liquid foundation
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Reviewed in the United States on April 19, 2026
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Work well
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I absolutely love this product My daughter introduced me to it. My skin is very dry however, I sweat so much in my sinus area and my skin is very sensitive. Most products are too heavy when I put them on and they make me sweat more or I feel like I need to get a papertowel etc and wipe it off. None of that with this. It's light, it moisturizes my dry areas and it does not leave a greasy or heavy feeling. It dosent make me sweat at all. Best of all it only takes a little. I use about a dime size and that works great. I only need to use once a day. I recommend this product.
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Reviewed in the United States on December 2, 2020
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Great product, just not enough of it
Loved the product, kept my face looking healthy and smooth. It’s very lightweight which I appreciated. Didn’t notice a scent either which is also a plus. The only thing I was a little surprised by was the size. It was the size of one of those Clinique moisturizer samples they give you as a bonus when you buy a bunch of their makeup. I ran out pretty quickly even though I didn’t use excessive amounts and I don’t have a giant face. Other than that, I’d say this is a worthwhile addition to my skincare regimen.
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Reviewed in the United States on September 22, 2019
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