SKU: 31256454462

joseph bodin de boismortier sonate per fagotto e continuo op 50 pieces de clavecin paolo tognon pietro pasquini

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joseph bodin de boismortier sonate per fagotto e continuo op 50 pieces de clavecin paolo tognon pietro pasquiniJOSEPH BODIN DE BOISMORTIER, BASSOON AND CONTINUO SONATAS OP. 50 & PIECES DE CLAVECIN (CVLD208) Composer: JOSEPH BODIN DE BOISMORTIER Performers: PAOLO TOGNON PIETRO PASQUINI Tracks 1 LImperiuse (troisieme suite de pieces de clavecin) (1736) 3: 03 Sonata Ia in E minor for bassoon and basso continuo op. 50 (1754) 2 Andante e Staccato 1: 24 3 Allemanda (allegro) 2: 26 4 Aria (affettuoso) 2: 41 5 Gavotta (presto) 2: 35 6 La Rustique (seconde suite de

JOSEPH BODIN DE BOISMORTIER, BASSOON AND CONTINUO SONATAS OP. 50 & PIECES DE CLAVECIN (CVLD208)

ComposerJOSEPH BODIN DE BOISMORTIER
PerformersPAOLO TOGNON PIETRO PASQUINI

Tracks

1 L’Imperièuse (troisièeme suite de pieces de clavecin) (1736) 3:03
Sonata Ia in E minor for bassoon and basso continuo op. 50 (1754)
2 Andante e Staccato 1:24
3 Allemanda (allegro) 2:26
4 Aria (affettuoso) 2:41
5 Gavotta (presto) 2:35
6 La Rustique (seconde suite de pieces de clavecin) 2:09
Sonata IIa in G major for bassoon and basso continuo*
7 Largo 2:41
8 Allemanda (allegro) 2:44
9 Largo 1:24
10 Giga (staccato) 1:54
11 La Veloutèe (quatrième suite de pieces de clavecin) 1:54
Sonata IIIa in D major for bassoon and basso continuo
12 Moderato 2:22
13 Corrente 2:24
14 Aria (affettuoso) 2:29
15 Minoetto 1:10
16 Variatione Ia 1:07
17 Variatione IIa 1:00
18 Variatione IIIa 0:57
19 Variatione Iva 1:12
20 La Serènissime (seconde suite de pieces de clavecin) 2:07
Sonata IVa in D minor for bassoon and basso continuo*
21 Andante 2:15
22 Allegro 2:29
23 Sarabanda 1:31
24 Giga 2:22
25 La Marguillièere (prèmiere suite de pieces de clavecin) 2:51
Sonata Va in C minor for bassoon and basso continuo*
26 Largo 2:16
27 Gavotta 1:35
28 Largo 0:47
29 Allegro 1:41
Total Time 57:45


Notes

Classical. Original compositions by Joseph Bodin De Boismortier. Paolo Tognon baroque bassoon, Pietro Pasquini harpsichord. 24bit/88.2kHz original recorded, mixed and mastered at Areamagister Studios, Preganziol, Italy, on December 7, 8, 9, 2010

In 18th-century France, the bassoon was widely used for its expressive efficacy. Its initial constructive development is probably due to Jean Hotteterre. As early as 1674, the bassoon is mentioned in a Lully score, and the first evidence of a four-keyed bassoon (later also five) comes from two original instruments dated between 1730 and c. 1750, documented by makers like Eisel in 1738, up to the famous illustration in Diderot and D’Alembert’s Encyclopédie in 1751. J.B. de Boismortier introduced the three-movement concerto of Italian origin to France, with Vivaldi and Albinoni as precursors. He also contributed to the improvement of flute technique. He began his music studies under Joseph Valette de Montigny in 1714. He initially worked in Metz before moving to Paris in 1724, where upon his arrival he published 12 trio sonatas for 2 flutes with basso continuo, 12 sonatas for 2 flutes, and 4 cantatas. He embarked on a high-quality instrumental production, catering to the elegant tastes of aristocrats. He also composed 3 operas and various cantatas. His music was played at the Concert Spirituel on Christmas and Christmas Eve from 1740 to 1770. A connoisseur of low-pitched orchestral instruments such as the cello, bassoon, and viola da gamba, he came into contact with the world of the cello around the late 1720s when Jean Zewalt Triemer, originally from Weimar where he was a member of the court orchestra, came to study with him; he emigrated to Paris and between 1726 and 1729, he was also a student of Boismortier. The collection of five sonatas op. 50 can expressly be played by the cello, bassoon, or viola da gamba, according to the well-established printing custom of the time, which could thus guarantee greater circulation and interest in the compositions among musicians of the era. The collection used for this recording comes from the historical printed edition of 1735 preserved respectively at the Bibliothèque National de France and the British Library in London. The compositional structure of the sonatas skillfully blends the alternation of slow and fast movements in the Italian style, and typical French dances are present in all the sonatas, such as: allemande, gavotte, gigue, sarabande, corrente, minuet. Interesting is the presence of the affettuoso in the first and third sonatas, where the blend of cantabile and the peculiar timbre of the bassoon in the tenor register, slightly melancholic, enhances its expressive component. Boismortier perfectly embodies the spirit of the “Goutès Rèunis,” that 18th-century French musical movement that aimed for an ideal musical union between melodious cantabile and Italian-style virtuosity, with the refined French ornamentation typical of the comédie-ballet. The bassoon is explored in all its resources and adapts perfectly to the performance. To complement the recording, some short “pièce de clavecin” from the collection of four harpsichord suites of 1736 are included. These are rather short, closed-form pieces which, already in the titles given by the composer, aim to evoke a precise atmosphere: L’Impèrieuse, la Veloutèe, la Rustique, or a kind of implicit homage to some personality: La Sèrenissime, la Marguillière. Often, in these pieces, the rondeau compositional form is present, which, alternated with the couplet, makes listening to the music itself more varied.

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SKU: 31256454462

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Kevin Chan
San Leandro, US
★★★★★ 5
Compact Comfort for Extended Typing - Keyboard Wrist Rest Pad Delivers!
Size: 100% Standard, Size: 100% Standard
My recent purchase of a keyboard wrist rest pad has significantly improved my typing experience, and I couldn't be more satisfied with its ergonomic design and practical features. This wrist rest pad strikes the perfect balance between comfort and compactness. Its ergonomic design provides excellent support, reducing strain during extended typing sessions. The padding is just right, offering a comfortable resting place for wrists without feeling overly soft or bulky. One of the standout features for me is the compact size of the pad. It fits perfectly in front of my keyboard without taking up excessive space on my desk. This design consideration is fantastic for those who want ergonomic support without sacrificing valuable workspace. Cleaning is a breeze with this wrist rest pad. The material used is not only comfortable but also easy to wipe clean. It's a practical addition that ensures a hygienic and well-maintained workspace. Whether you're a professional who spends hours typing or a casual user looking for added comfort, this wrist rest pad is a game-changer. Its compact size, ergonomic design, and easy-to-clean features make it a standout accessory that I highly recommend. Say goodbye to wrist fatigue and hello to a more comfortable and efficient typing experience!
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Reviewed in the United States on December 25, 2023
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C H
West Palm Beach, US
★★★★★ 5
Made a difference for wrist comfort and happy with purchase
Size: 100% Standard, Size: 100% Standard
A nice leather cushion that fits perfect with keyboard. Definitely made a difference in wrist comfort. Good price and well made. A simple item done right and happy with purchase. I was hesitant as it said a frequently returned item. I dont see reason to return. Im guessing most people didnt get the correct size.
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Reviewed in the United States on February 21, 2026
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Anonymous Reviewer
Alexandria, US
★★★★★ 4
Simple and Straightforward Wrist Rest
Size: 60% Compact
There's not much to write home about here other than it suits the purposes I purchased it for. This accompanies my K629-RGB Redragon keyboard. It lines up pretty well with the keyboard, and the rest itself makes a nice incline between my desk surface and the keyboard. The padding isn't too plush and is pretty good at providing wrist support. It's also been very good at holding its shape despite the pressure that my wrists have put in the same spot over the last few months; the padding is even across the entire wrist rest as a result. I've noticed that my hand doesn't cramp as much when typing for long periods of time with this rest, so it's doing exactly what I would expect for the ergonomics of my keyboard. One downside is that it's prone to develop sweat marks where you rest your palms. It can't really be wiped away, given that it gets absorbed over time. I would say that if you are concerned with the appearance of the product, you may want to look into a plastic rest instead. I personally don't find this to be much of an issue since the pad is black, and you can only see the marks at certain angles, but I can understand if that's a dealbreaker for some. Otherwise, the rest of the pad is easily cleaned. I usually use a handheld vacuum to tackle dust and crumbs that stick onto the sides and bottom of the pad. Overall, I would recommend this to anyone who has a compact keyboard without a built-in hand rest. The pad is perfectly sized for my needs and provides the support that I need for my work. If you're hesitant about dealing with a product that may stain, look into plastic wrist rests instead.
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Reviewed in the United States on May 3, 2024
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Caleb Duffy
San Leandro, US
★★★★★ 5
comfy, not rigid and would recommend
Size: 60% Compact
it has some slip resistance though I see it slightly sliding every so often, it's obviously easy to install just place it there ha-ha, sturdy and comfortable. good support, I settled for this because I got it for 5 bucks not bad at all, it's about a half inch smaller than my keyboard (it says the size, so I knew that prior to purchasing so its sizing is correct as stated, a good thing) I should mention my desk is hard wood with some scratches in it so some of my other things slide too so I can't say its slip resistance is bad even with it slightly shifting every so often I'm sure it will be better for your desks too. here its barley slides so I'm sure it will stick in place like glue on your desks (aka wont slide you can easily move it if you wanted). I looked at the reviews saying this thing was rigid or not enough cushion, I feel like it's not too little not too much, not rigid, don't know what they are talking about, anyways I would definitely recommend.
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Reviewed in the United States on February 19, 2026
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Preston
Los Angeles, US
★★★★★ 5
Feels nice and looks great
Size: 80% Tenkeyless, Size: 80% Tenkeyless
I bought this wrist rest in like new condition for $6 and I will say it’s 100% worth MSRP at $15-20. The weight is nice, it doesn’t slip on my mousepad. It’s very comfortable to rest my palms and wrist on. The sizing pairs well with my 80% keyboard. It functions as it should. I use this at a stand up desk on an industrial shop floor to help put my wrist at a better angle and it works perfect.
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Reviewed in the United States on July 23, 2025

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