SKU: 22533121671

34" to 36" Chinese Gongs on the Internal Wave Gong Hanger

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Description

34" to 36" Chinese Gongs on the Internal Wave Gong HangerThis listing includes the gong of your choice, Internal Wave Gong Hanger, and a traditional Chinese gong mallet. Wall fasteners are not included as these will be specific for each unique space, stud, or drywall situation. Note: The gong in the photo and video is not the exact gong you will receive, but an example of what these gongs usually look and sound like. The 34" Atlantis Gong carries the memory of Atlantis. Those ancient vibrations are why soft

This listing includes the gong of your choice, Internal Wave Gong Hanger, and a traditional Chinese gong mallet. Wall fasteners are not included as these will be specific for each unique space, stud, or drywall situation.

Note: The gong in the photo and video is not the exact gong you will receive, but an example of what these gongs usually look and sound like.


The 34" Atlantis Gong carries the memory of Atlantis. Those ancient vibrations are why soft gentle Donovan had such a big hit in the 1960s with his hypnotic hippie anthem. All the former Atlanteans, dressed as Love Children, were singing their anthem. You don't have to be a neo-hippy, hipster, or aging hippie to enjoy our gong or Donovan's song! Go ahead sing along with the soft-spoken Scottish strummer, while you purchase this amazing gong.

"My antediluvian baby, I want to see you
My antediluvian baby, gotta tell me where she gone
I want to see you some day
Wake up, wake up, wake up, wake up, oh yeah
Oh glub glub, down down, yeah
My antediluvian baby, oh yeah yeah yeah yeah"


Approximate Weight of Gong: 32 lbs


The Chau Gong is iconic in appearance. It is what many people see in their mind’s eye when they think of a Chinese Gong. The bull’s-eye design is created by the metal lathing between the rim of the gong and the center.

Approximate Weight of Gong: 31 lbs


The Mother Tesla Gong is an unlathed gong, designed specifically for Gongs Unlimited. This is how a gong looks when it comes out of the oven. Most Chinese gongs have this color when they come out of their cast mold, but then are lathed to create different tones.

Approximate Weight of Gong: 32 lbs


The Chinese Wind Gong is fully lathed, leaving a bright, shiny finish. It doesn't have a rim; it is flat on the edge. This design gives the Wind Gong its splashy celebratory tone when struck with a quick fast attack. When tapped gently with a hard mallet, you will get a rich fundamental note that builds quickly to a crash with just a little bit of added power.

Approximate Weight of Gong: 25 lbs


From a customer of our 36" Atlantis Gong!

"... I have only played Paiste gongs in the past...but there is SO much I can get from/out of this 36” Atlantis Gong it is almost unbelievable! I have played it only 4 times so far and people are just blown away by the experiences they are having when receiving the gong. Haven't even done an immersion yet....these were just 10 minute sessions. I am just so happy with it that I had to tell you. I will be back....I don't know when, but I will be back to choose my next one!"

Ride the wave of the future. Listen, learn, and love.

Approximate Weight of Gong: 36 lbs 8 oz


The Atlantis Chau Gong mixes the classic look and feel of the traditional Chau gong with mystique and depth of our exclusive Atlantis gong.

The science of metallurgy and the art of the gongmaker combine to create a gong with differing coloration and varying pockets of harmonics throughout the gong. The classic lathing pattern brings balance and control to the overall sound, making this gong something special that's a must-have for sound alchemists, therapists, healers and musicians.

Approximate Weight of Gong: 36 lbs 8 oz


The Chau Gong is iconic in appearance. It is what many people see in their mind’s eye when they think of a Chinese Gong. The bull’s-eye design is created by the metal lathing between the rim of the gong and the center.

Approximate Weight of Gong: 37 lbs


The Chocolate Drop Gong is similar to the Chau Gong. In fact, it is basically a Chau Gong with the outer dark ring lathed off. This makes the Chocolate Drop Gong not only look brighter than the Chau Gong, it can make it sound brighter too.

Approximate Weight of Gong: 37 lbs


Exclusively made for Gongs Unlimited, the Dark Star Gongs are designed to bring beautiful tones into your life. The Dark Star line resemble our Mother Tesla Gongs, but with a more musical bounce to their tones - yet still able to maintain a moodier sentiment. The tones will bring out your thoughts for gentle examination, and help you grow.

Approximate Weight of Gong: 36 lbs 8 oz


Dark Wind Gongs are similar to the traditional Wind Gongs, but with an unlathed outer edge. The unlathed part controls the crash, creating less splash than a wind gong and preventing the gong from opening up sound-wise like a fully lathed gong. The balanced, deep tones of this gong can aid in your spiritual and emotional healing practices.

Approximate Weight of Gong: 28 lbs


The Deep Breath Gong is a breath of fresh air. These gongs are thinner, light-hearted, and fun. The dark unlathed center provides great sustain while holding the crash in. Sit back, take a deep breath, and let the balanced, deep tones of this gong aid you in your spiritual and emotional healing practice.

Approximate Weight of Gong: 28 lbs


Exclusive to Gongs Unlimited, the Deep Breath Chau Gongs are similar to the Deep Breath Gongs that we have all come to love, but with a rim! The presence of the rim focuses the sound and combined with the dark unlathed center, provides great sustain while holding the crash in.

Approximate Gong Weight: 37 lbs


Approaching the center of absolute zero, closing in on unity, you look to the center of it all and see yourself. You approach the event horizon, in a spatial moment just beyond, the Eventual Horizon.

The sound of the universe reverberating through a wave field of strings and bands of light and darkness meets you and welcomes you back to the union of all things.

Let the balanced, deep tones of this gong aid you in your spiritual and emotional healing practice. Add one of these gongs to your sound therapy or yoga studio and meditate on the peaceful, harmonic motion of all things.

Approximate Weight of Gong: 36 lbs 8 oz


The Lunar Flare Gong is named after the ring of brightness that appears around the moon in a photo. It embodies the eternal of Earth's only satellite, yet we know the flare only because of today's technology which made it possible to capture this previously unseen and beautiful phenomenon. It has a deep sound, though not as sharp as its sister, the Solar Flare Gong. The rim focuses the sound which lingers pleasantly. There's a lightness, like the light from the moon that pierces the thick of night. Deep sound emanates and expands and transforms dark to light.

The Lunar Flare Gong is appropriately named, for its sounds move the water in your body in a way to loosen stuck emotions, if you work with it. It works the stuck sounds in your body so you can release them. It takes you from the Dark Side of the Moon to the brilliant reflective Light Side.

Approximate Weight of Gong: 37 lbs


The Mother Tesla Gong is an unlathed gong, designed specifically for Gongs Unlimited. This is how a gong looks when it comes out of the oven. Most Chinese gongs have this color when they come out of their cast mold, but then are lathed to create different tones.

Approximate Weight of Gong: 36 lbs 8 oz


The Sun Gong, what we at Gongs Unlimited call the Solar Flare Gong, is a less traditional Chinese Gong than some of the other styles. It’s a more recent design created by Chinese gong makers and is available to all gong sellers, so we felt compelled to put it in the Traditional section. It is basically a Wind Gong, but with concentric bands of lathed and unlathed circles. The unlathed parts control the crash and splash, less than a Wind Gong. The rings concentrate the tones and it does not open up sound-wise like a fully lathed gong.

Approximate Weight of Gong: 28 lbs


Made exclusively for Gongs Unlimited, our line of Subatomic Gongs is the perfect option to add to your collection of sound healing instruments. Subatomics are to our Chau Gong as the black keys on a piano are to the white. The Subatomic creates a more mystical tone when struck with a complex mixture of harmonics and overtones. Often, striking it in the different concentric rings will give you a slightly different tone each time, adding to the mystique of these gongs.

Approximate Weight of Gong: 37 lbs


The Chinese Wind Gong is fully lathed, leaving a bright, shiny finish. It doesn't have a rim; it is flat on the edge. This design gives the Wind Gong its splashy celebratory tone when struck with a quick fast attack. When tapped gently with a hard mallet, you will get a rich fundamental note that builds quickly to a crash with just a little bit of added power.

Approximate Weight of Gong: 28 lbs

The Internal Wave Gong Holder is a versatile space saving alternative to floor gong stands!

This sturdy wall hanger can be directly mounted to the wall. It is HIGHLY recommended to mount this gong hanger to a single framing stud behind your wall. If mounted to a stud, this stand will hold gongs up to 44" or 60 lbs. If mounted using dry wall anchors, this wall hanger will support gongs up to 32" or 25 lbs.

There are three spacing options available for placing the gong hooks - either 6", 9", or 12" apart - to accommodate the size of your gong, length of your gong chord, or how you would like your gong to hang. The choice is yours!

Measurements:
Wall Plate Height: 12"
Wall Plate Width: 3"
Crossbar Width: 16"
Depth from Wall: 13.5"
Weight: 3 lbs
Gong Hook Spacing (Three Options): 6" , 9", or 12"

Learn how to assemble and install this gong hanger with Joshua, the assembly wizard, in the video below:

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SKU: 22533121671

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Makayla
Cuba, US
★★★★★ 4
4.5⭐️
Format: Kindle, Format: Kindle
Wild Love deserves all the hype it’s gotten. For my first Elsie Silver book, this one was a 4.5⭐️ A sweet, simple small town romance that will keep you on your toes. Rosie was a pretty relatable character if you’ve grown up in a small town. That feeling of wanting to get out, and wanting something more is something most probably feel. But it turned out that wasn’t what she actually wanted, and moving back to Rose Hill ended up being the peace she really needed. While we all love a good enemies to lovers trope, Ford discovering he had a daughter was a nice touch and kept the story much more interesting. Wild love didn’t just tell of two friends falling for each other, but also Ford navigating his newfound fatherhood and Rosie stepping in to help not only him but his daughter.
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Reviewed in the United States on March 17, 2026
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Laney
Phoenix, US
★★★★★ 5
I’m absolutely OBSESSED!!!!!!
Format: Paperback
My love for this book is everything. Just thinking back to the little family—Ford, Cora, and Rosie—was absolutely amazing to read about. The way I completely fell in love with the lovesick billionaire, the grieving daughter, and a woman trying to find herself again was the best part of the book. I felt like each word drew me closer to the main characters. Ford is a billionaire who buys a run-down house in his old vacation town when, surprise, a quiet, guarded, incredibly smart twelve-year-old girl shows up on his doorstep claiming to be his daughter through a past sperm donation. Cora has lost her father, and her mother is struggling deeply, so Ford unexpectedly takes Cora under his wing. She’s sharp, sarcastic, emotionally reserved, and clearly carrying more weight than a kid her age should have to bear. Not long after, Rosie—Ford’s best friend’s little sister and his long-lost love—returns to town after being mistreated by her boss. Her arrival catches Ford completely off guard, and all the feelings he thought he’d buried come crashing back. Throughout the book, Rosie forms a deep, natural bond with Cora, and together they slowly build something that feels like home. Ford doesn’t just fall in love with Rosie—he falls in love with the family they create. Favorite Parts ★ Rosie’s bond with Cora was literally my breaking point. They are so incredibly sweet and felt completely real.
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Reviewed in the United States on February 3, 2026
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ghostrider369
San Leandro, US
★★★★★ 5
If you want to write that best seller correctly, this is the book for you!
Format: Paperback
Plot & Structure is a thorough handbook for writers looking to improve their storytelling. Bell, as many already know is a successful novelist and writing coach. He simplifies complex ideas like plot development and narrative structure into useful advice, practical tactics, and interesting activities that we can all understand. Bell's strategy revolves around the LOCK methodology, which stands for Lead, Objective, Confrontation, and Knockout. Not a new technique at all, this framework is intended to assist authors in crafting captivating story lines that hold readers' attention from start to finish. Bell clearly emphasizes the significance of developing a strong lead character who propels the story forward, a definite aim that guides the plot, a confrontation that adds tension and drama, and a knockout finish that leaves readers happy but wanting more. Clarity and order are two of the book's strongest points. Bell delivers his thoughts in a logical order, beginning with the basics of plot structure and progressing to more sophisticated themes such as subplots, pacing, and thematic depth. Each chapter is illustrated with examples from popular literature and cinema, making theoretical topics more concrete and understandable. This method not only enhances comprehension but also encourages readers to study and appreciate the workmanship behind their favorite stories. But Bell does this in a fun, and still factually correct manner. Bell's writing style is both informative and motivating. He communicates directly to the reader, anticipating their worries and queries and providing encouragement with his advice. His encouraging tone is especially helpful for aspiring authors who may be intimidated by the hurdles of narrative development, I know I was one of those. Bell tells them that, while creating a compelling plot is difficult, it is possible with perseverance, effort, and a willingness to learn from failures. The exercises at the end of each chapter are another standout feature of the book. These are intentionally created to put the concepts covered into practice, encouraging authors to explore various story scenarios, character motives, and narrative structures. By constantly promoting active participation, Bell guarantees that readers not only absorb the material but also apply it. This hands-on approach encourages creativity and experimentation, which are crucial skills for any writer trying to improve their art. He makes the whole process fun to do, which helps one feel involved more than some dreary instructional how-to book that we have all read and forgotten. Furthermore, Bell discusses frequent plotting difficulties and provides solutions to solve them. He addresses difficulties like predictable storylines, uninteresting characters, and drooping middles, offering practical advice on how to increase suspense, deepen character development, and sustain momentum throughout the novel. This problem-solving part of the book is crucial since it provides writers with skills for critically evaluating and improving their work. It dives into the psychological and emotional sides of narrative, recognizing that a successful plot is more than just what occurs, but how it affects the characters and, as a result, the readers. Bell urges writers to explore their characters' emotional journeys, claiming that emotional resonance is critical to producing a memorable and meaningful story. Despite its numerous qualities, the book might have used more diverse examples, such as those from genres outside of Bell's area of expertise, contemporary literature, and indie presses. While the emphasis is mostly on traditional narrative frameworks, some consideration of experimental and non-linear storytelling could have provided a more comprehensive perspective on the art of plotting. Its thorough examination of plot creation, along with practical exercises and insightful suggestions, makes it an invaluable resource for anybody wishing to master the craft of storytelling. Whether you're a new writer struggling with your first plot or an experienced author looking to improve your skills, this book provides the assistance and inspiration you need to create captivating narratives that keep readers engaged from beginning to end. Plus, you will have fun along the way too!
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Reviewed in the United States on February 6, 2024
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Birdfeeder
Fort Morgan, US
★★★★★ 5
One of the best books about writing!
Format: Paperback
Each chapter offered valuable information. I can't praise it enough. It's simply one of the best books that I have read about writing. I have learned plenty, and I will apply it to my new novel that I'm working on right now! Buy it! Read it! It works wonders! It's invaluable to my collection. If you're building your collection, make sure this book finds a place in your home. I have outlined so much. I have taken so many notes. I memorized elements of the structure. The author didn't take any break. He didn't stop surprising me toward the end. Great work! OVERVIEW The author talks about the LOCK system for your novel. L --You need to have a gripping Lead with whom readers can identify with. You need sympathy, likability, and inner conflict. You need to build an arc of your character breaking into his layers, so the lead changes by the end of the novel. You need to show it through action and show the moment of change. O-- Objective, a goal your lead wants to achieve. You need to create a strong opposition, and put that opposition close to the lead. It might be a physical location, moral duty, professional obligation, life or death situation, obsession, etc. C--Confrontation or simply said conflict that grows; stakes are raised higher leading to the climax of the story. K--Knockout--final fight against opposition You need three ACT structure: Beginning (Act 1) , Middle(Act 2), Ending (Act 3) Beginnings- You need to reveal the lead; hook the reader; create sympathy through those things that I have mentioned earlier. You need to create disturbance in his life that will move the Lead to Act 2 which is the middle, no return. Middles- Raise the stakes; scenes are more tense; create more conflict and have a death hanging over your Lead (emotional death, physical, or professional, etc.) The customer is nearing the black moment. The Lead enters another door of no return. Endings-Battle--tie those lose endings (some might contain sacrifice) 1. A final choice or 2. A final battle Add a twist if possible. If you follow the above and create a back cover blurb, you can go ahead and write your novel knowing it will not fail. Create an arc of the character that concentrates on the internal part of the character. I like to create also two charts. One is for the Lead showing how the character is changing internally. Another one, characters who play the parts in your novel divided into following categories: Character, Description, Objective, Role, Secret, and Emotion Evoked. You can add as much as you want in your never ending list. Scenes- HIP- Hook, Keep it Intense, Prompt to another scene Stretch tension! You need show instead of tell. ARM- Action, Reaction, and More Action Soap Opera-- don't resolve anything until the end, and you might want to end the scene with a secret revealed or a cliff hanging moment. Complex Plots--Play with symbols or motifs; create subplots and integrate them into the main plot, or use parallel plots used so much in romance novels. Or divide into sections; each section to contain the LOCK system and three act structure. Some other things that I found valuable: Flashbacks -- keep them short; create scenes out of them; use one HAD. If your middle doesn't play well, do something unexpected like throwing a guy with a gun. Unanticipate-- avoid cliches, create unpredictiable scenes, endings If you present something in the story, make sure you use it later in your novel. If you mention the riffle on the wall, make sure it will play out in the future scene. You need to work backwards. You need to plant things, so the future scenes will make sense. The author talked about SHUTDOWN. I have experienced it myself just after the conference. It happens when the writer is overwhelmed and can't produce. It's a phase that passes. I did have it for two weeks. I was just simply exhausted and overwhelmed. I took a break, and the passion came back.
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Reviewed in the United States on November 1, 2011
C
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C.J.
Belleville, US
★★★★★ 4
Pretty Good... Not amazing.... But pretty good.
Format: Paperback
Before taking a stab at my first real story I have decided to read two books on the art of writing fiction; "Techniques of the Selling Writer" by Dwight Swain, and the book I am reviewing now, "Plot and Structure" by James Bell. While Swain's book was more of an all inclusive manual on writing interesting fiction, Bell's book is focused strictly on, as the name suggests, plot and structure. What this book is not... This is not a 'how to write a novel' book; if you are going to just read one book on writing a fiction novel then "Techniques of the Selling Writer" may be the more appropriate choice. If you are looking for a book that deals with anything outside of plot and structure, this book will be of no help there either. This book is designed to be supplemental to an already moderately educated reader. If you read Swain's book first, then you will instantly recognize the principles of this book. What this book is... This is a great book on, you guessed it, Plot and Structure. It's actually a fairly concentrated look into the subject. The chapters... Ch 1: What's a plot, anyway? Ch 2: Structure: What holds your plot together. Ch 3: How to explode with plot ideas. Ch 4: Beginning strong. Ch 5: Middles. Ch 6: Endings. Ch 7: Scenes. Ch 8: Complex Plots. Ch 9: The character arc in plot. Ch 10: Plotting Systems. Ch 11: Revising your plot. Ch 12: Plot Patterns. Ch 13: Common plot problems and cures. Ch 14: Tips and Tools for plot and structure. I found the specificity of this book very helpful with each principle being illustrated by a paragraph or so of a known author's work. Bell handpicks excerpts from authors varying from Dean Koontz to Herman Melville, brilliantly pulling text from these masters and showing us how they went about the relevant technique. This easy to read nature and well outlined subject matter means I will be using several of its chapters as a personal reference guide in the future. I'm certain it will keep me from making many of the mistakes beginning writers make and possibly save me weeks in rewrites. I will say this though... "Techniques of the Selling Writer" is a better book and covers plot quite well too; so if you are only going to read one book on writing, that is a damn good place to start. If you want to supplement that reading further, "Plot and Structure" comes highly recommended. [...]
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Reviewed in the United States on May 26, 2010

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