SKU: 21153527204

Opening Day

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Description

Opening DayMaker : Peter Batchelder 20" x 20" Canvas Size 22" x 22" Framed Oil On Canvas Early morning walks on the beach tend to yield plenty of inspiration. Came across this place years ago, and finally got around to painting it. After establishing himself as a successful graphic designer, Peter began pursuing his fine art career in 1992 on Martha's Vineyard, where he resided year round for three years. Upon returning to the mainland he co founded, as Creative

Maker : Peter Batchelder

20" x 20" Canvas Size

22" x 22" Framed 

Oil On Canvas

Early morning walks on the beach tend to yield plenty of inspiration. Came across this place years ago, and finally got around to painting it. 

After establishing himself as a successful graphic designer, Peter began pursuing his fine art career in 1992 on Martha's Vineyard, where he resided year-round for three years. Upon returning to the mainland he co-founded, as Creative Director, a web design and software company based in Bedford, NH. In recent years he has achieved success as an artist with his representation at prestigious galleries in the Boston area, Provincetown and the Monadnock, NH region.

Peter trained in studio art at the University of Massachusetts, Amherst (BFA 1987) under artists Jack Coughlin, Lionel Gongora, John Grillo, and Hanlon Davies as well as Robert Cardinal at the Truro Center for the Arts.

"Childhood interests in architecture and archaeology have led me to consider the context of time-worn structures within the New England landscapes. I am fascinated on many levels when coming across a barn or seaside cottage. From an artist’s perspective, I am interested in the nature of the architecture; how it sits within its landscape, color and light. From a personal perspective, I find myself often curious about the story of the building: who built it and why; the many people who have lived or worked in the building; how the landscape may have changed around the structure over the course of years. I find that the curiosity I have about the building intertwines with the creative process in my interpretation of the architecture and landscape in one image."

In some of my work I feel the architecture serves as the sentry for the landscape and in other cases the exact opposite. Because I remove extraneous details from both the landscape and architecture I paint, it is my hope that a viewer will be challenged by the image to let their own curiosity create a story - is the beach cottage long abandoned or just waiting for its inhabitants to return?

I have long been influenced by the works of Andrew and Jamie Wyeth, Edward Hopper, Winslow Homer and Robert Cardinal and their use of light and color to define subject and mood. I typically begin a piece with multiple sketches in either graphite or charcoal to work out the composition. Then I transition to small watercolor or oil studies to allow for experimentation with different color fields and use of light before committing to canvas. I use many layers of paint in my work to allow me to pull the undercolor to the surface and create depth and movement to highlight form and the way light defines a subject." - Peter Batchelder

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SKU: 21153527204

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B.Nicole
Lowell, US
★★★★★ 5
My Go-To Sublimation Paper — Flawless Results Every Time
Size: 8.5"x11", Size: 8.5"x11"
This is hands down the best sublimation paper I’ve used and the only one I continue to buy. I get a perfect transfer every single time—no fracturing, no fading, and no uneven results. The paper dries fast, which makes my workflow so much smoother, especially when I’m producing items in batches. I use this regularly to make air fresheners and tote bags for my small business, and the color payoff is always vibrant and crisp. The transfer rate is excellent, and it works beautifully on light-colored, high-quality polyester and other sublimation-ready surfaces. If you’re a small business owner or crafter who values consistency, quality, and ease of use, this paper is absolutely worth it. I highly recommend it and will continue to repurchase.
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Reviewed in the United States on January 24, 2026
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Jimmy
Battle Creek, US
★★★★★ 5
Best Sublimation Paper
Size: 8.5"x11"
I’ve been using A-Sub paper for my sublimation projects, and it is easily one of the best. The ink dries almost instantly once printed, so I don’t have to worry about smudging the design or getting those annoying "pizza wheel" marks from the printer rollers. The paper itself feels substantial and doesn't tear or curl easily. One of the biggest wins for me is that it never jams; it feeds through perfectly every time, saving me the frustration of wasting expensive ink and paper. When I go to press my designs, the ink releases almost completely, leaving very little behind on the paper and putting all that color onto the project. The final results look super professional, with colors that are vibrant and sharp rather than looking faded or dull. It has worked perfectly for everything I’ve tried so far, and if you want a reliable paper that gives you consistent, high-quality results, this is definitely the one to get.
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Reviewed in the United States on February 25, 2026
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Nadiagne
Bozeman, US
★★★★★ 5
Ideal for sublimation beginners.
Size: 8.5"x11"
Asub sublimation paper has been excellent for my projects. The ink transfer is very good, the colors are vibrant and defined, and it dries quickly. It has helped me achieve clean and professional results, even as a beginner. Without a doubt, it's a reliable, high-quality paper for sublimation.
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Reviewed in the United States on February 15, 2026
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Chiller Leonard
Battle Creek, US
★★★★★ 5
Excellent works great and I’m bang for your buck
Size: 8.5"x14"
I love this paper. It prints, nice and clear I will be buying more.
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Reviewed in the United States on April 30, 2026
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Fe Oyekola
Omaha, US
★★★★★ 5
Very good for sublimation
Size: 8.5"x11"
Intact and very good for my sublimation
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Reviewed in the United States on May 25, 2026

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